Telugu Movies(AMAV)

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The story of Taj Mahal reflects the intensity of love. The fairy tale began when walking through the bazaar of Agra prince qhurram saw a girl. The girl was exceptionally beautiful. It was a love at first sight for both of them. After five years, on an auspicious day they were married and from that moment began the great epic of love.

Shah Jahan, "The King Of The World"

Prince qhurram was the fifth son of emperor Jahangir. He was the man of extraordinary brilliance, a great diplomat, a warrior and a lover of art. Once Jahangir wrote, "In art, in reason, in battle there is no comparison between him and my other children". In the honor of his numerous victories Jahangir entitled him as "Shah Jahan", "The King of the World". After Jahangir's death all his sons quarreled for the thrown, after fighting for years Shah Jahan killed all his brothers under suspicious circumstances and became the emperor, besides him stood his queen, comrade and confidante.

Mumtaz Mahal "The chosen one of the palace"

Shah Jahan titled her "Mumtaz Mahal", "The chosen one of the palace". A rare found combination of beauty and brain. She was her husband's best friend and confidante. She would counsel him in the diplomatic matters. She too was a great lover of art.

The End of the Fairy Tale

In 1631 Shah Jahan set up to berahanpur with his troops to subdue a rebellion, accompanied by Mumtaz Mahal Unfortunately during childbirth she suffered some complications and died. According to legend before dieing she extracted a promise from Shah Jahan that he would build a mausoleum as a tribute to their love.

The story of Taj Mahal begins Shah Jahan was obsessed to fulfill his wife's last wish. He invited the architects and artisans all over the world and planned for the building with absolute perfection. Taj Mahal was structured in Persian style combined with carvings of artisans called from Afghanistan and the garden designers from Kashmir. It took 22years to complete the Taj Mahal, a memento of love with the perfection of art. The carvings of Taj Mahal were decorated with very precious gemstones.

The story of Taj Mahal is unique in itself. It is an evidence that how the emotions and feelings are important to human life. The story of Taj Mahal is an example of devotion and faith. The story of Taj Mahal is a love story not found in papers but stands in the structural form. The story of Taj Mahal is rare.

Glorious INDIA (Mysore Palace)

The Mysore Palace, once the residence of the Wodeyars, is one of the largest palaces of its kind in India, and one of the most splendid. Designed in the Indo-Saracenic style by Henry Irwin, the British consultant architect of Madras state, it was built in 1912 for the twenty fourth Wodeyar Raja on the site of the old wooden palace that had been destroyed by fire in the year 1897. Twelve temples surround the palace, some of which are from earlier periods. The palace provides a magnificent view on Sunday evenings, and during festivals, when the whole palace is illuminated by thousands of lightbulbs. The entry to the palace is through the Gombe Thotti or the Doll's Pavilion, a gallery of Indian and European sculpture and ceremonial objects. Halfway

along is the elephant gate, which is the main entrance to the centre of the palace. The gate is decorated with floriate designs, and bears the Mysore royal symbol of a double headed eagle. To the north of the gate are dolls, dating from the earlier nineteenth and twentieth centuries, and a ceremonial wooden elephant howdah (frame to carry passengers) decorated with 84 kilogram of 24 carat gold. Walls which lead to the Kalyan Mandapa or the royal wedding hall, are lined with elaborately detailed oil paintings, illustrating the great Mysore Dussehra Festival of 1930. The hall itself is magnificent, featuring chandeliers, and multicoloured stain glass arranged in peacock designs. On climbing up the stairs, is the Public Darbar Hall, or the hall for public audience, which has paintings of some celebrated artists, and offers wonderful views of the parade grounds and the Chamundi Hills. Chamundi Hills has a temple dedicated to Goddess Chamundi or Durga. The smaller Private Durbar hall or the hall for private audience, features some splendid work of beautiful stained glass and gold leaf paintings.

The interior of the Palace

When to visit
The weather of Mysore remains pleasant throughout the year. Mysore should preferably be visited at the time of Dussehra, a festival which comes in the month of September or October. Mysore is beautifully decorated during this time

Glorious INDIA (Hawa Mahal)

Built in 1799, the Hawa Mahal, or Palace of the Winds, is one of the major landmarks of Jaipur. This five storey building, which looks out over the main street of the old city, is a stunning example of Rajput artistry, with its pink semioctagonal and delicately honeycombed sandstone windows. It was originally built to enable ladies of the royal household, to watch the everyday life and processions of the city. The palace was built by Maharaja Sawai Pratap Singh, and is part of the City Palace complex. There is, also, a small archaeological museum on the same site.

Glorious INDIA (city palace - jaipur)

In the heart of the old city of Jaipur the City Palace occupies a large area, divided into a series of courtyards, gardens, and buildings. The outer wall was built by Maharaja Jai Singh II, but other additions are much more recent, some dating back to the beginning of this century. The palace is a wonderful blend of Rajasthani and Mughal architecture, a major tourist attraction. The centre of the palace, is the Chandra Mahal, or the Moon Palace, which provides a fine view of the gardens and the city. The ground and first floor of the Chandra Mahal, form the Maharaja Sawai Man Singh Museum. The museum has an extensive collection of art, carpets, enamelware and old weapons. The paintings include miniatures of Rajasthani, Persian and Mughal schools. The Mubarak Mahal, or the Auspicious Palace, contains the textile section of the museum.

The palace also houses the Diwan-i-Am, or the hall of public audience, and Diwan-i-Khas, or the hall of private audience. In the Diwan-i-Am, ornate pillars support the high ceilings. The walls, intricately painted with touches of deep red and gold, provide perfect mounts for immense medieval Afghan and Persian carpets. Miniatures from the Mughal and Jaipur schools, and Jai Singh's translations in Arabic and Sanskrit of the astronomical treatises of ancient scientists, are displayed in glass cases.

Glorious INDIA (Golconda Fort)

The largest of Old Delhi's monuments is Lal Quila or Red Fort whose thick red sandstone walls, bulging with turrets and bastions, have withstood the vagaries of time and nature. The Lal Quila rises above a wide dry moat in the northeast corner of the original city of Shahjahanabad. Its walls extend from two kilometers and vary in height from 18 metres on the river side to 33 metres on the city side. Mughal Emperor Shahjahan started construction of the massive fort in 1638 and work was completed in 1648. The fort contains all the expected trappings of the centre of Mughal government: halls of public and private audience, domed and arched marble palaces, plush private apartments, a mosque and elaborately designed gardens. Even today, the fort remains an impressive testimony to Mughal grandeur, despite being attacked by the Persian Emperor

Nadir Shah in 1739 and by the British soldiers during the war of independence in 1857.

Entrance to the fort is through the imposing Lahore Gate, which takes its name from the fact that it faces Lahore, now in Pakistan. This gate has a special significance for India since the first war of independence and important speeches have been made here by freedom fighters and national leaders of India.

The main entrance opens on to the Chatta Chowk, a covered street flanked with arched cells that used to house Delhi's most talented jewellers, carpet makers, weavers and goldsmiths. This arcade was also known as the Meena Bazaar, the shopping centre for the ladies of the court. Just beyond the Chhata Chowk is the heart of the fort called Naubat Khana or the Drum House. The musicians used to play for the emperor from the Naubat Khana and the arrival of princes and royalty was heralded from here.

The Fort also houses the Diwan-i-Am or the Hall of Public Audiences where the Emperor would sit and hear complaints of the common folks. His alcove in the wall was marble-paneled and was set with precious stones, many of which were looted after the mutiny of 1857. The Diwan-i-Khas is the hall of private audiences where the Emperor held private meetings. This hall is made of marble and its centre-piece used to be the Peacock Throne, which was carried away to Iran by Nadir Shah in 1739. Today, the Diwan-i-Khas is only a pale shadow of its original glory, yet the famous Persian couplet inscribed on its wall remind us of its former magnificence: "If on Earth be an Eden of bliss, it is this, it is this, none but this."

The other attractions within this monument are the Royal Baths or hammams, the Shahi Burj, which used to be Shahjahan's private working area and the Moti Masjid or the Pearl Mosque, built by Aurangzeb for his personal use. The Rang Mahal or the "Palace of Colours" housed the Emperor's wives and mistresses. This palace was crowned with gilded turrets, delicately painted and decorated with an intricate mosaic of mirrors, and a ceiling overlaid with gold and silver that was reflected in a central pool in the marble floor.

Glorious INDIA (Lal Quila)

The largest of Old Delhi's monuments is Lal Quila or Red Fort whose thick red sandstone walls, bulging with turrets and bastions, have withstood the vagaries of time and nature. The Lal Quila rises above a wide dry moat in the northeast corner of the original city of Shahjahanabad. Its walls extend from two kilometers and vary in height from 18 metres on the river side to 33 metres on the city side. Mughal Emperor Shahjahan started construction of the massive fort in 1638 and work was completed in 1648. The fort contains all the expected trappings of the centre of Mughal government: halls of public and private audience, domed and arched marble palaces, plush private apartments, a mosque and elaborately designed gardens. Even today, the fort remains an impressive testimony to Mughal grandeur, despite being attacked by the Persian Emperor

Nadir Shah in 1739 and by the British soldiers during the war of independence in 1857.

Entrance to the fort is through the imposing Lahore Gate, which takes its name from the fact that it faces Lahore, now in Pakistan. This gate has a special significance for India since the first war of independence and important speeches have been made here by freedom fighters and national leaders of India.

The main entrance opens on to the Chatta Chowk, a covered street flanked with arched cells that used to house Delhi's most talented jewellers, carpet makers, weavers and goldsmiths. This arcade was also known as the Meena Bazaar, the shopping centre for the ladies of the court. Just beyond the Chhata Chowk is the heart of the fort called Naubat Khana or the Drum House. The musicians used to play for the emperor from the Naubat Khana and the arrival of princes and royalty was heralded from here.

The Fort also houses the Diwan-i-Am or the Hall of Public Audiences where the Emperor would sit and hear complaints of the common folks. His alcove in the wall was marble-paneled and was set with precious stones, many of which were looted after the mutiny of 1857. The Diwan-i-Khas is the hall of private audiences where the Emperor held private meetings. This hall is made of marble and its centre-piece used to be the Peacock Throne, which was carried away to Iran by Nadir Shah in 1739. Today, the Diwan-i-Khas is only a pale shadow of its original glory, yet the famous Persian couplet inscribed on its wall remind us of its former magnificence: "If on Earth be an Eden of bliss, it is this, it is this, none but this."

The other attractions within this monument are the Royal Baths or hammams, the Shahi Burj, which used to be Shahjahan's private working area and the Moti Masjid or the Pearl Mosque, built by Aurangzeb for his personal use. The Rang Mahal or the "Palace of Colours" housed the Emperor's wives and mistresses. This palace was crowned with gilded turrets, delicately painted and decorated with an intricate mosaic of mirrors, and a ceiling overlaid with gold and silver that was reflected in a central pool in the marble floor.